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After countless reincarnations as doomed villainesses, Ms. Transmigrator gets her final chance to rewrite fate–as Ciani Felicité, the woman who drove the male lead to madness! Instead, she plans to rescue Redian, the male lead trapped in her family’s Subterranean Castle, nurture him, and then escape. But why is his intense gaze fixed on her? With so much attention, can she really navigate this reincarnation to a happy ending?

Three boys in junior-high who cross-dress because of differing reasons meet each other through a cross-dressing community website, and decide to meet up in real life. "Parou" started cross-dressing because he wanted to attract a heterosexual boy he liked. "Marika" is transgendered and identifies as female. Lastly, "Yui" is an antagonistic boy who adopted the persona of his older sister after her death. In contrast to Parou and Marika, Yui is sorely disappointed at the meeting.

The year is Showa 74 (1999 A.D.) and the world has been through much turmoil. The streets are littered with destitute buildings, crime, and also Sex☆Machines... mechanical humans that can be used as motorcycles by thrusting a penis inside of them. These Sex☆Machines have been in use since the olden days, however, when criminals began riding them, the police had to adapt, and began to use them as well. One of these officers is Suzuka Yoshimura, a rookie cop who doesn't play by the rules aided by the help of her Sex☆Machine "Ace". She recently heard of an exhibition that will show off a so-called "Legendary Sex☆Machine". What type of Sex☆Machine is it, and what is its goal?

The following content is intended for mature audiences and may contain sexual themes, gore, violence and/or strong language. Discretion is advised. not found...

The following content is intended for mature audiences and may contain sexual themes, gore, violence and/or strong language. Discretion is advised. not found...

not found...

The following content is intended for mature audiences and may contain sexual themes, gore, violence and/or strong language. Discretion is advised. not found...

Walt Kelly started his career at age 13 in Connecticut as a cartoonist and reporter for the Bridgeport Post. In 1935, he moved to Los Angeles and joined the Walt Disney Studio, where he worked on classic animated films, including Pinocchio, Dumbo, and Fantasia. Rather than take sides in a bitter labor strike, he moved back east in 1941 and began drawing comic books. It was during this time that Kelly created Pogo Possum. The character first appeared in Animal Comics as a secondary player in the “Albert the Alligator” feature. It didn’t take long until Pogo became the comic’s leading character. After WWII, Kelly became artistic director at the New York Star, where he turned Pogo into a daily strip. By late 1949, Pogo appeared in hundreds of newspapers. Until his death in 1973, Kelly produced a feature that has become widely cherished among casual readers and aficionados alike. Kelly blended nonsense language, poetry, and political and social satire to make Pogo an essential contribution to American “intellectual” comics. As the strip progressed, it became a hilarious platform for Kelly’s scathing political views in which he skewered national bogeymen like J. Edgar Hoover, Joseph McCarthy, George Wallace, and Richard Nixon. Walt Kelly started when newspaper strips shied away from politics —— Pogo was ahead of its time and ahead of later strips (such as Doonesbury and The Boondocks) that tackled political issues. Our first (of 12) volume reprints approximately the first two years of Pogo —— dailies and (for the first time) full-color Sundays. This first volume also introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols. Special features in this sumptuous premiere volume, which is produced with the full cooperation of Kelly’s heirs, include a biographical introduction by Kelly biographer Steve Thompson, an extensive section by comics historian R.C. Harvey explaining some of the more obscure current references of the time (read an unexpurgated version here), a foreword by legendary columnist Jimmy Breslin, and more.

A Chinese restaurant located in the Tokyo district. A pure young man, Kim Sang-ho’s day begins with a speedy delivery, and ends up with a speedy sex scene. The wife of the Chinese restaurant with excellent taste. Even the owner of a chicken restaurant with moist flesh… Ah… This is the best restaurant on earth!

The following content is intended for mature audiences and may contain sexual themes, gore, violence and/or strong language. Discretion is advised. not found...

Eunhyeong's world crumbles when her husband-to-be leaves her on their wedding day. While in a drunken stupor at home, she discovers an ad for a match delivery service on her phone. The next morning, a man named Minho shows up at her door, claiming to be her ideal match. What starts as a one-time free trial evolves into a routine of repeated orders, and sparks soon ignite between them as they find comfort in each other. Can they transform this unexpected twist of fate into a lasting love story?

Damin Lee -- he’s a terrible soccer player, due to his almost supernatural talent at dodging any object thrown at him. But in another sport? It’s a whole other story. When Damin leaves the soccer team in disgrace after failing to save the game-deciding goal, he’s discovered by Taegyun, captain of the épée team in the school fencing club. Impressed by Damin’s agility and evasiveness, Taegyun offers Damin a chance at redemption in fencing. Will Damin find his true passion and make some friends along the way?

Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge. Full-color illustrations throughout.Rendered in a kaleidoscopically and breathtakingly virtuosic visual style that combines panel sequences and montage, Emil Ferris’ draftsmanship echoes the drawing of Otto Dix, George Grosz, and Robert Crumb. My Favorite Thing Is Monsters is a revelatory work of striking originality and will undoubtedly be greeted as the debut graphic novel of the year.

Forget "saving face," this is "saved by face!" Roseny has been masquerading as a boy for years at the orphanage. But when the duke chooses her to be a playmate for his son, it isn't long before her secret is revealed. Instead of being sent back, her adorable complexion results in Roseny being adopted! What will this new future hold for her?

Alicia has been fighting against the demon king's army and protecting the kingdom as a saint. One day, she is falsely accused of having an affair with her fiancé, the prince, and is publicly executed. Abused by the people of the kingdom and despairing of the malice of the people, Alicia makes a final wish. "I'll kill you all" "And destroy this country" She wishes for the death of everyone. Alicia was supposed to have died in this way, but when she realized it, she was brought back to life by the demon king. "Haha, now I can kill them all." The curtain rises on the vengeance of the saintly woman who has been revived from execution...!

Kazuki's had a 16 year grace-period of peace and relative normalcy; smuggled to Japan and raised by a kindly old woman he's grown up to be a bright and friendly boy. His childhood friendship to the girl next door is just beginning to blossom into romance

A girl who was sold as a slave at a young age. Yoon, the eldest son of Kwon fanily, who named the girl 'Seohye'. Seohye, who was only a servant, fell for Yoon, who treated her with kindness, and Yoon, who had lost his parents at an early age and was lonely, found comfort in Seohye . The two, who had secretly acknowledged their feelings for each other, found their relationship suddenly crumbling with the news of Yoon's engagement..

To achieve their goal of traveling back to the past, three adventurers that usually spend their time fighting monsters are ready to do anything to achieve it! Including becoming workers at a... daycare...?

Danryeong is idolized and adored to the point of being loved to death by a young prince who follows him. However, outwardly, Danryeong remains cold and stern, making every effort to fulfill his duties as a teacher. One day, a friend deceives Danryeong by giving him medicine and sending him to the prince's bedchamber wearing a hood, which leads to complications.

The following content is intended for mature audiences and may contain sexual themes, gore, violence and/or strong language. Discretion is advised. not found...

The following content is intended for mature audiences and may contain sexual themes, gore, violence and/or strong language. Discretion is advised.  

Tsukishita is completely dependent on his little brother. It's the first day of school, and his little brother has already had to find Tsukishita with the things he's forgotten. When a group of girls try to help him find his older brother, they mistakenly